I did this in ProCreate on my iPad–Pretty fun!
A group of wildebeests are on the side of the river. A boat is there. The leader of the group hands TAR a bag of coins, as the wildebeests all climb into the boat.
TAR wades across the river, pulling the boat with one hand. The wildebeests look nervously about. There is an “aquarium” style shot, so that we can see above the surface of the river and below it at the same time.
Crocodile warriors rise up out of the water around TAR. One of them plucks a momma wildebeest out of the boat, while TAR is fighting with two others on the other side. The wildebeest passengers are in a panic.
TAR kills the two crocs that he is fighting. All the Splashing and thrashing about ends and the water becomes murky with blood. The passengers are still looking about, agitated and afraid.
TAR hauls the boat onto the shore of the opposite bank of the river,and the wildebeests scramble out.
The wildebeest leader is angry. Waving his hands around, points at the water, the boat, and the orphaned child (who is crying for his momma). TAR looks back at the water and realizes that one of the passengers is missing.
He reaches into his pouch and takes out one coin. He shrugs his shoulders and give the refund to the wildebeest. TAR returns to the boat, collecting his gear, while the wildebeest travelers walk off, continuing on their way.
Working on designs and storyboards for the next episode… I’m looking for animators and potential collaborators on the Hash Forum , so let me know if you want to participate!
Here is the Pitch Bible for TAR of Zandoria.
It’s got the slug-line, introduction, characters, and episode spring boards–all the required things for the pitch (based on everything I’ve read)… But WHO do I pitch it to?
That’s the thing that all the books and tutorials about pitching your ideas seem to skip… Unless you happen to know the right contact, it isn’t easy to figure out where to go next.
Have you found yourself in this same spot? Where did you go next? Let me know in the comments!
My Zandoria YouTube Channel got accidentally deleted! So I will have to rebuild…All of the subscribers, statistics, etc. lost. I will have to recreate the playlists for the Siggraph Animation:Master tutorials, which may take me a few days. But I have re-uploaded the First Episode of TAR of Zandoria. Share it!
I have been working full-time on this and freelancing for the past year–Resigning my day job at the end of 2013. It has been scary, humbling, exhilarating, depressing, gratifying… all over the map emotionally.
While I was able to create the first short by myself, I also realized that it would have gone faster working with other artists, and it probably would have been even better…
I realized that I have a lot to learn when it comes to distribution, or pitching, or fund raising–or just getting people to watch it for FREE on YouTube! Yet I look at my poster of TAR on the wall, and I know that I can’t give up…I’ve wrestled with the idea of trying to do it as a graphic novel, or something easier for a solo artist to pull off, but I think that is just that familiar fear of failing….
True, I’ve proven that I can create an animation! It isn’t as polished as it could be, and I had to cut some corners, but, I did it. I have been in a kind of creative drift since uploading “Marked for Death“… I guess that I just thought that if I finished it, that people would see it and then somehow I would be successful/validated/loved? I dont know..It’s kind of crazy. The after-birthing of a huge project seems to take as long as the delivery!
Now I’m ready to continue, to take it up a notch, to bring my (our) dreams to life. I want to create an Open Studio where other aspiring artists an animators can join this project.
I believe that an open project like TAR of Zandoria is the hope and future for the Animation:Master community of artists and animators. It isn’t about just software.. an Open Studio creates the ecosystem for the artists to collaborate, for newbies to aspire to learn, for mentors to coach, for the software to gain subscriptions, There is something in it for YOU, whether you are a modeler, rigger, animator, programmer, or fan!
Since I have no funding up front, I have to figure out how to divide royalties among what are essentially co-creators of the final product. Whether YouTube royalties or DVD sales every participant has a stake in what we will create.
It seems incredible to me that I’m looking at a bronze sculpture of YodaBuddha created by 3D printing. I conceived the idea in the morning, sculpted it in ZBrush, and uploaded the file to Shapeways in the afternoon.
The “buzz” about 3D printing has been on the technology, the printers themselves, and those start-up companies like Makerbot and Formlabs who have entered the hardware market in the last few years. The story of the individual designer with his home factory creating limited edition or bespoke items is just beginning.
From a designer’s perspective, it is very empowering to be able to go directly from an idea to a manufactured product–No set up fees, tooling costs, or minimum quantities. While it is possible that the technology could bring some manufacturing back to the US from Asia, I think that something like a home-factory craft business may emerge here.
If you have a great product idea, it should be possible to produce it directly with 3D printing. What comes to mind are short-run items like garage kits, designer toys, miniatures, collectibles. The kind of art objects that are done with silicon molds and casting resins. The same companies doing that type of product now are also places that might provide some freelance opportunities… Artistry and skill come with years of practice. The ubiquity of 3D printers doesn’t change that, but it does create a market for designers who can turn an idea into a printable file.
I was (like many artists, I’m sure) eagerly reading the brochures and specs of the latest machines–excited by the prospect of getting my own. I was about ready to place an order for the Form1+ when a news article gave me pause…Auto Desk announced their intentions to enter into this marketplace as well… Now, they create great tools–don’t get me wrong–but the majority of folks buying their content creation tools are dreaming of being artists and animators. The spectacular Hollywood animated features and the blockbuster visual effects have them inspired–but not everyone is going to end up with a job at Pixar… Similarly, people are excited by the technology of 3D printing and rushing to get one of their own–many inspired by remarkable artwork that they see posted on ZBrushCentral –as though the right software and the right magic box is going to turn them into the next Michelangelo…Rather than being fleeced, those artists might be better served by a modest investment in some watercolors and a box of Sculpy….
Keeping this in mind, I thought I better figure out what I am going to make and who I’m going to sell it to before I plunk down the money for my own printer. Our public library has Makerbot Replicators that you can use if you have a library card ($50/year if you live outside the city), and Shapeways has lots of material choices that I can experiment with for now….
After all of that, I finally broke down and bought an awesome Printerbot Simple Metal. for $599– It was in the top 4 in Make Magazines 3D Printer shootout!